Tencent Music Entertainment Group Announces Second Quarter 2025 Unaudited Financial Results
Tencent Music Entertainment (NYSE:TME) reported strong Q2 2025 financial results with total revenues reaching RMB8.44 billion (US$1.18 billion), up 17.9% year-over-year. Online music services revenue grew 26.4% to RMB6.85 billion, driven by subscription growth and diversified monetization.
The company achieved significant milestones including net profit of RMB2.41 billion (up 43.2% YoY) and music subscription revenue of RMB4.38 billion (up 17.1% YoY). Monthly ARPPU increased to RMB11.7 from RMB10.7 in 2024, while SVIP subscribers surpassed 15 million. The platform expanded partnerships with international labels and successfully organized major concerts, including G-DRAGON's tour in Macau.
Tencent Music Entertainment (NYSE:TME) ha registrato solidi risultati nel secondo trimestre 2025: i ricavi totali sono saliti a RMB8,44 miliardi (US$1,18 miliardi), +17,9% su base annua. I ricavi dai servizi musicali online sono cresciuti del 26,4% a RMB6,85 miliardi, sostenuti dall’aumento degli abbonamenti e da una monetizzazione più diversificata.
L’azienda ha raggiunto importanti traguardi, tra cui un utile netto di RMB2,41 miliardi (in aumento del 43,2% su base annua) e ricavi da abbonamenti musicali pari a RMB4,38 miliardi (+17,1% annuo). L’ARPPU mensile è salito a RMB11,7 rispetto a RMB10,7 nel 2024, mentre gli abbonati SVIP hanno superato i 15 milioni. La piattaforma ha ampliato le partnership con etichette internazionali e ha organizzato con successo concerti di rilievo, incluso il tour di G-DRAGON a Macao.
Tencent Music Entertainment (NYSE:TME) presentó sólidos resultados en el segundo trimestre de 2025, con ingresos totales de RMB8.44 mil millones (US$1.18 mil millones), un aumento del 17.9% interanual. Los ingresos por servicios de música en línea crecieron 26.4% hasta RMB6.85 mil millones, impulsados por el crecimiento de suscripciones y una monetización más diversificada.
La compañía alcanzó hitos importantes, como un beneficio neto de RMB2.41 mil millones (subida del 43.2% interanual) y unos ingresos por suscripciones musicales de RMB4.38 mil millones (incremento del 17.1% interanual). El ARPPU mensual aumentó a RMB11.7 desde RMB10.7 en 2024, mientras los suscriptores SVIP superaron los 15 millones. La plataforma amplió asociaciones con sellos internacionales y organizó con éxito conciertos destacados, entre ellos la gira de G-DRAGON en Macao.
Tencent Music Entertainment (NYSE:TME)� 2025� 2분기 실적에서 견조� 성과� 발표했습니다. 총매출은 RMB8.44 billion (US$1.18 billion)으로 전년 대� 17.9% 증가했고, 온라� 음악 서비� 매출은 구독� 증가와 다각� 수익화로 26.4% 늘어 RMB6.85 billion� 기록했습니다.
사� RMB2.41 billion� 순이�(전년 대� 43.2% 증가)� 음악 구독 매출 RMB4.38 billion(전년 대� 17.1% 증가) � 주요 성과� 달성했습니다. 월간 ARPPU� 2024� RMB10.7에서 RMB11.7� 상승했으� SVIP 가입자� 1,500� 명을 돌파했습니다. 플랫폼은 해외 레이블과� 파트너십� 확대하고 G-DRAGON� 마카� 투어 � 대� 콘서트를 성공적으� 개최했습니다.
Tencent Music Entertainment (NYSE:TME) a publié de solides résultats pour le deuxième trimestre 2025 : le chiffre d’affaires total s’élève à RMB8,44 milliards (US$1,18 milliard), en hausse de 17,9% en glissement annuel. Les revenus des services musicaux en ligne ont augmenté de 26,4% pour atteindre RMB6,85 milliards, soutenus par la croissance des abonnements et une monétisation plus diversifiée.
La société a enregistré des avancées majeures, notamment un résultat net de RMB2,41 milliards (en hausse de 43,2% sur un an) et des revenus d’abonnements musicaux de RMB4,38 milliards (en hausse de 17,1% en glissement annuel). L’ARPPU mensuel est passé à RMB11,7 contre RMB10,7 en 2024, tandis que les abonnés SVIP ont dépassé les 15 millions. La plateforme a élargi ses partenariats avec des labels internationaux et organisé avec succès des concerts majeurs, dont la tournée de G-DRAGON à Macao.
Tencent Music Entertainment (NYSE:TME) meldete starke Ergebnisse für das zweite Quartal 2025: Der Gesamtumsatz belief sich auf RMB8,44 Milliarden (US$1,18 Milliarden), ein Plus von 17,9% gegenüber dem Vorjahr. Die Erlöse aus Online-Musikdiensten stiegen um 26,4% auf RMB6,85 Milliarden, begünstigt durch Abonnementwachstum und eine diversifiziertere Monetarisierung.
Das Unternehmen erreichte wichtige Meilensteine, darunter einen Nettogewinn von RMB2,41 Milliarden (plus 43,2% im Jahresvergleich) und Einnahmen aus Musikabonnements in Höhe von RMB4,38 Milliarden (plus 17,1% gegenüber dem Vorjahr). Der monatliche ARPPU stieg auf RMB11,7 gegenüber RMB10,7 im Jahr 2024, und die Zahl der SVIP-Abonnenten überstieg 15 Millionen. Die Plattform weitete Partnerschaften mit internationalen Labels aus und organisierte erfolgreich Großkonzerte, darunter die Tour von G-DRAGON in Macau.
- Net profit grew 43.2% year-over-year to RMB2.41 billion (US$336 million)
- Total revenues increased 17.9% year-over-year to RMB8.44 billion
- Online music services revenue grew 26.4% to RMB6.85 billion
- Gross margin improved to 44.4% from 42.0% year-over-year
- Monthly ARPPU increased to RMB11.7 from RMB10.7
- SVIP subscribers surpassed 15 million milestone
- Strong cash position of RMB34.92 billion in cash and equivalents
- MAUs for online music declined 3.2% to 553 million
- Social entertainment services revenue decreased 8.5% to RMB1.59 billion
- Cost of revenues increased 13.1% year-over-year to RMB4.69 billion
Insights
TME delivered strong Q2 results with 17.9% revenue growth and 43.2% profit increase, driven by music subscriptions and diversification beyond core offerings.
Tencent Music Entertainment's Q2 2025 results showcase a company successfully pivoting toward higher-margin revenue streams while maintaining robust growth. Total revenues reached
The most encouraging aspect is TME's improved profitability metrics. Net profit surged
TME's subscription business continues to demonstrate healthy fundamentals with dual growth in both user base and monetization. The
The company is executing a thoughtful diversification strategy beyond pure streaming, building revenue streams in advertising, merchandise, and offline performances. This diversification helps insulate TME from potential subscription growth plateaus while creating a more comprehensive music ecosystem.
From a financial health perspective, TME maintains a robust balance sheet with
The declining social entertainment segment (down
Second Quarter 2025Financial Highlights
- Total revenues were
RMB8.44 billion (US ), representing a$1.18 billion 17.9% year-over-year increase, primarily due to strong year-over-year growth in revenues from online music services, and partially offset by a decline in revenues from social entertainment services and others. - Revenues from online music services were
RMB6.85 billion (US ), representing$957 million 26.4% year-over-year growth. Revenues from music subscriptions wereRMB4.38 billion (US ), representing$611 million 17.1% year-over-year growth. Monthly ARPPU grew toRMB11.7 fromRMB10.7 in the same period of 2024. - Net profit attributable to equity holders of the Company was
RMB2.41 billion (US ), representing$336 million 43.2% year-over-year growth. Non-IFRS net profit attributable to equity holders of the Company[1] wasRMB2.57 billion (US ), representing$359 million 37.4% year-over-year growth. - Diluted earnings per ADS was
RMB1.55 (US ), up from$0.22 RMB1.07 in the same period of 2024. Non-IFRS diluted earnings per ADS wasRMB1.66 (US ), up from$0.23 RMB1.19 in the same period of 2024. - Total cash, cash equivalents, term deposits and short-term investments as of June 30, 2025 were
RMB34.92 billion (US ).$4.87 billion
Mr. Cussion Pang, Executive Chairman of TME, commented, "We delivered high-quality growth in the second quarter, achieving solid year-over-year increases in both revenue and profitability. While our music subscription business remained a core growth driver, our expanding suite of music-related services—including advertising, concerts, and artist merchandise—showed impressive momentum. As we continue to scale our platform, we are focused on building a vibrant, one-stop music servicedestination that empowers content creators and reshapes connections with music loversin meaningful ways."
Mr. Ross Liang, CEO of TME, continued, "Our focus on product innovation to deliver immersive user experiences has driven solid growth in our online music business. This is reflected in the continued expansion of both our subscriber base and ARPPU, along with deeper user engagement. We are especially pleased to see our SVIP subscribers recently surpass 15 million, a new milestone reflectingthe deep trust and loyalty of our users.We see great potential in the music entertainment space and remain committed to investing in new initiatives that create lasting value and impact to music creators and consumers."
Second Quarter 2025Operational Highlights
- Key Operating Metrics
2Q25 | 2Q24 | YoY % | |
MAUs � online music (million) | 553 | 571 | (3.2%) |
Paying users � online music (million) | 124.4 | 117.0 | 6.3% |
Monthly ARPPU � online music (RMB) | 11.7 | 10.7 | 9.3% |
Building a richer content ecosystem to support long-term growth.
- Expanded partnerships with record labels and artists, home and abroad. 1) Strengthened ourK-pop offerings by establishing cooperation with The Black Label and H MUSIC for the first time. 2) Extended collaboration with renowned Chinese artist Wang Feng, featuring both classic music repertoire and latest releases.
- Innovative approaches to content co-production boosted our content appeal and promoted cultural exchange. 1) Partnered withSM Entertainment, NCT CHENLE's Chinese EP *Lucid* showcases cross-border collaborative efforts in content creation. Our omni-channel approach to promote the EP through a series of online and offline campaigns broadened our user reach and strengthened user engagement. 2) The theme song that we produced for popular movie THE LYCHEE ROAD, performed by Chen Chusheng, received widespread acclaim from both viewers and critics. 3) Formed a strategic partnership with Zhejiang Satellite TV to not only secure the music rights for popular variety shows, such as The Treasured Voice and Shining Summer, but also collaborate on content creation, artist promotion, and more.
TME's enhanced brand and platform value, together with tailored approaches to support artists home and abroad, has gained increasing recognition.
- Achieved resounding success in staging large-scale concerts for renowned artists. 1) Hosted our first international grand concert tour for leading Korean artist G-DRAGON in
Macau , where over 36,000 fans immersed in a captivating atmosphere, with on-site official merchandise rapidly selling out. Following a strong kickoff, the tour has been scheduled to expand into other regions this year. 2) Successfully organized a series of stadium concerts for Fiona Sit, TIA RAY and rapper GAI[2], and growing their audience base inChina . - Our ability to curate live music concerts of all sizes has made us a partner of choice for staging emerging artists. In the first half of 2025, we facilitated over 300 offline performance opportunities for nearly 100 artists and groups from
Tencent Musician Platform, featuring our proprietary IPs CITY LIVE and BUFF LIVE with great success. Our cross-platform promotions propelled several works to trending hits, including Xiang Sisi's Why Not Wait for the Wind, which amassed over 20 million streams and topped multiple music charts. - Partnered with DearU to launch bubble on QQ Music, an interactive community that allows users to engage directly with hundreds of K-pop artists from labels, such as SM, JYP, and CUBE. We intend to also invite some popular Chinese artists to the community to foster deeper, more personal connections.
Concerted and innovative efforts to enhance product appeal successfully led to improved user engagement, increased SVIP adoption, and new monetization opportunities.
- Premium sound quality remains the most popular SVIP membership benefit. In the second quarter, Kugou Music pioneered VIPER HiFi sound quality and One-Click Audio Enhancement 2.0, delivering tailored music experiences for diverse use cases. We also upgraded voice extraction features with the industry's first AI Chorus function, redefining the live concert sing-along experience for users.
- On conversion, artist-centric privileges have become increasingly effective at boosting SVIP adoptions, including 1) digital albums, with standout releases like Hold Me Close by A-Lin and JJ Lin and Pleasure by Jolin Cai; 2) priority access to concert tickets, such as in-demand events by G-DRAGON and BLACKPINK; and 3) star card series in collaboration with artists such as JC-T, Silence Wang and aespa.
- To enrich the ways that our members enjoy music, we have worked closely with leading car manufacturers and a wide range of models to deliver a premium in-car music experience. Highlights included a comprehensive partnership with Geely and integration with Xiaomi's first SUV, YU7.
- Newly launched ad-based membership, together with optimized advertising formats and incentives, boosted user engagement and advertising effectiveness, which in turn led to strong year-over-year advertising revenue growth.
SecondQuarter 2025 Financial Review
Total revenues increased by
- Revenues from online music services increased by
26.4% toRMB6.85 billion (US ), compared with$957 million RMB5.42 billion in the same period of 2024. The increase was driven by solid growth in music subscription revenues, supplemented by growth in revenues from advertising services, artist-related merchandise and offline performances. Revenues from music subscriptions wereRMB4.38 billion (US ), representing$611 million 17.1% year-over-year growth, compared withRMB3.74 billion in the same period of 2024. The rapid growth was mainly driven by the improved monthly ARPPU, which increased toRMB11.7 in the second quarter of 2025 fromRMB10.7 in the same period of 2024. This growth of monthly ARPPU was primarily due to expansion of the SVIP membership program, as we continue to enrich SVIP membership privileges for our users. The year-over-year increase in revenues from advertising was primarily due to our more diversified product portfolio and innovative ad formats, such as ad-supported mode. Additionally, revenues from artist-related merchandise and offline performances achieved robust growth. - Revenues from social entertainment services and others decreased by
8.5% toRMB1.59 billion (US ) from$222 million RMB1.74 billion in the same period of 2024.
Cost of revenuesincreased by
Gross marginincreasedto
Total operating expenses wereRMB1.16 billion (US
Totaloperating profit wasRMB2.98 billion (
Income tax expensesfor the second quarter of 2025 were
For the second quarter of 2025, net profit was
Basic and diluted earnings per American Depositary Shares ("ADS") for the secondquarter of 2025were
As of June30, 2025, the combined balance of the Company's cash, cash equivalents, term deposits and short-term investments amounted to
Environmental, Social, and Governance ("ESG")
We continue to unlock the social value of music and its healing powers. This quarter, we launched the 'Hearing Guizhou' project, leveraging AI technology to promote better relaxation and sleep through natural instruments and immersive soundscapes.
Exchange Rate
This announcement contains translations of certain RMB amounts into
Non-IFRS Financial Measure
The Company uses non-IFRS net profit for the period, which is a non-IFRS financial measure, in evaluating its operating results and for financial and operational decision-making purposes. TME believes that non-IFRS net profit helps identify underlying trends in the Company's business that could otherwise be distorted by the effect of certain expenses that the Company includes in its profit for the period. TME believes that non-IFRS net profit for the period provides useful information about its results of operations, enhances the overall understanding of its past performance and future prospects and allows for greater visibility with respect to key metrics used by its management in its financial and operational decision-making.
Non-IFRS net profit for the period should not be considered in isolation or construed as an alternative to operating profit, net profit for the period or any other measure of performance or as an indicator of its operating performance. Investors are encouraged to review non-IFRS net profit for the period and the reconciliation to its most directly comparable IFRS measure. Non-IFRS net profit for the period presented here may not be comparable to similarly titled measures presented by other companies. Other companies may calculate similarly titled measures differently, limiting their usefulness as comparative measures to the Company's data. TME encourages investors and others to review its financial information in its entirety and not rely on a single financial measure.
Non-IFRS net profit for the period represents profit for the period excluding amortization of intangible and other assets arising from business acquisitions or combinations, share-based compensation expenses, net losses/gains from investments and related income tax effects.
Please see the "Unaudited Non-IFRS Financial Measure" included in this press release for a full reconciliation of non-IFRS net profit for the period to its net profit for the period.
[1]Non-IFRS net profit attributable to equity holders of the Company was arrived at after excluding the combined effect of amortization of intangible assets and other assets arising from business acquisitions or combinations, share-based compensation expenses, net losses/gains from investments, and related income tax effects. [2] Names grouped by artists and bands, sorted in alphabetical order by family names. |
About Tencent Music Entertainment
Tencent Music Entertainment Group (NYSE: TME and HKEX: 1698) is the leading online music and audio entertainment platform in
Safe Harbor Statement
This press release contains forward-looking statements. These statements are made under the "safe harbor" provisions of the
Investor Relations Contact
Tencent Music Entertainment Group
[email protected]
+86 (755) 8601-3388 ext. 885034
TENCENT MUSIC ENTERTAINMENT GROUP | |||||||||||||
CONSOLIDATED INCOME STATEMENTS | |||||||||||||
Three Months Ended June 30 | Six Months Ended June 30 | ||||||||||||
2024 | 2025 | 2024 | 2025 | ||||||||||
RMB | RMB | US$ | RMB | RMB | US$ | ||||||||
Unaudited | Unaudited | Unaudited | Unaudited | Unaudited | Unaudited | ||||||||
(in millions, except per share data) | (in millions, except per share data) | ||||||||||||
Revenues | |||||||||||||
Online music services | 5,424 | 6,854 | 957 | 10,431 | 12,658 | 1,767 | |||||||
Social entertainment services and others | 1,736 | 1,588 | 222 | 3,497 | 3,140 | 438 | |||||||
7,160 | 8,442 | 1,178 | 13,928 | 15,798 | 2,205 | ||||||||
Cost of revenues | (4,150) | (4,693) | (655) | (8,147) | (8,807) | (1,229) | |||||||
Gross profit | 3,010 | 3,749 | 523 | 5,781 | 6,991 | 976 | |||||||
Selling and marketing expenses | (210) | (216) | (30) | (397) | (415) | (58) | |||||||
General and administrative expenses | (938) | (940) | (131) | (1,887) | (1,884) | (263) | |||||||
Total operating expenses | (1,148) | (1,156) | (161) | (2,284) | (2,299) | (321) | |||||||
Interest income | 304 | 254 | 35 | 582 | 551 | 77 | |||||||
Other gains, net | 32 | 131 | 18 | 78 | 2,571 | 359 | |||||||
Operating profit | 2,198 | 2,978 | 416 | 4,157 | 7,814 | 1,091 | |||||||
Share of net profit of investments accounted | 54 | 16 | 2 | 36 | 39 | 5 | |||||||
Finance cost | (26) | (12) | (2) | (56) | (37) | (5) | |||||||
Profit before income tax | 2,226 | 2,982 | 416 | 4,137 | 7,816 | 1,091 | |||||||
Income tax expense | (432) | (515) | (72) | (813) | (961) | (134) | |||||||
Profit for the period | 1,794 | 2,467 | 344 | 3,324 | 6,855 | 957 | |||||||
Attributable to: | |||||||||||||
Equity holders of the Company | 1,682 | 2,409 | 336 | 3,104 | 6,700 | 935 | |||||||
Non-controlling interests | 112 | 58 | 8 | 220 | 155 | 22 | |||||||
Earnings per share for Class A and Class B | |||||||||||||
Basic | 0.54 | 0.79 | 0.11 | 1.01 | 2.19 | 0.31 | |||||||
Diluted | 0.54 | 0.78 | 0.11 | 0.99 | 2.16 | 0.30 | |||||||
Earnings per ADS (2 Class A shares equal to 1ADS) | |||||||||||||
Basic | 1.09 | 1.57 | 0.22 | 2.02 | 4.38 | 0.61 | |||||||
Diluted | 1.07 | 1.55 | 0.22 | 1.99 | 4.32 | 0.60 | |||||||
Shares used in earnings per Class A and ClassB ordinary share computation: | |||||||||||||
Basic | 3,087,608,798 | 3,059,783,073 | 3,059,783,073 | 3,072,305,455 | 3,057,167,291 | 3,057,167,291 | |||||||
Diluted | 3,138,833,816 | 3,102,937,547 | 3,102,937,547 | 3,122,535,463 | 3,098,531,942 | 3,098,531,942 | |||||||
ADS used in earnings per ADS computation | |||||||||||||
Basic | 1,543,804,399 | 1,529,891,537 | 1,529,891,537 | 1,536,152,728 | 1,528,583,645 | 1,528,583,645 | |||||||
Diluted | 1,569,416,908 | 1,551,468,773 | 1,551,468,773 | 1,561,267,732 | 1,549,265,971 | 1,549,265,971 |
TENCENT MUSIC ENTERTAINMENT GROUP | |||||||||||||
UNAUDITED NON-IFRS FINANCIAL MEASURE | |||||||||||||
Three Months Ended June 30 | Six Months Ended June 30 | ||||||||||||
2024 | 2025 | 2024 | 2025 | ||||||||||
RMB | RMB | US$ | RMB | RMB | US$ | ||||||||
Unaudited | Unaudited | Unaudited | Unaudited | Unaudited | Unaudited | ||||||||
(in millions, except per share data) | (in millions, except per share data) | ||||||||||||
Profit for the period | 1,794 | 2,467 | 344 | 3,324 | 6,855 | 957 | |||||||
Adjustments: | |||||||||||||
Amortization of intangible and other assets arising from business acquisitions or combinations* | 103 | 89 | 12 | 221 | 194 | 27 | |||||||
Share-based compensation | 164 | 147 | 21 | 357 | 308 | 43 | |||||||
(Gains)/ losses from investments** | (21) | (2) | - | 16 | (2,377) | (332) | |||||||
Income tax effects*** | (55) | (61) | (9) | (121) | (114) | (16) | |||||||
Non-IFRS Net Profit | 1,985 | 2,640 | 369 | 3,797 | 4,866 | 679 | |||||||
Attributable to: | |||||||||||||
Equity holders of the Company | 1,873 | 2,574 | 359 | 3,577 | 4,698 | 656 | |||||||
Non-controlling interests | 112 | 66 | 9 | 220 | 168 | 23 | |||||||
Earnings per share for Class A and Class B ordinary shares | |||||||||||||
Basic | 0.61 | 0.84 | 0.12 | 1.16 | 1.54 | 0.21 | |||||||
Diluted | 0.60 | 0.83 | 0.12 | 1.15 | 1.52 | 0.21 | |||||||
Earnings per ADS (2 Class A shares equal to 1ADS) | |||||||||||||
Basic | 1.21 | 1.68 | 0.23 | 2.33 | 3.07 | 0.43 | |||||||
Diluted | 1.19 | 1.66 | 0.23 | 2.29 | 3.03 | 0.42 | |||||||
Shares used in earnings per Class A and ClassB ordinary share computation: | |||||||||||||
Basic | 3,087,608,798 | 3,059,783,073 | 3,059,783,073 | 3,072,305,455 | 3,057,167,291 | 3,057,167,291 | |||||||
Diluted | 3,138,833,816 | 3,102,937,547 | 3,102,937,547 | 3,122,535,463 | 3,098,531,942 | 3,098,531,942 | |||||||
ADS used in earnings per ADS computation | |||||||||||||
Basic | 1,543,804,399 | 1,529,891,537 | 1,529,891,537 | 1,536,152,728 | 1,528,583,645 | 1,528,583,645 | |||||||
Diluted | 1,569,416,908 | 1,551,468,773 | 1,551,468,773 | 1,561,267,732 | 1,549,265,971 | 1,549,265,971 | |||||||
* Represents the amortization of identifiable assets, including intangible assets such as domain name, trademark, copyrights, supplier resources, corporate customer relationships and non-compete agreement etc., and fair value adjustment on music content (i.e., signed contracts obtained for the rights to access to the music contents for which the amount was amortized over the contract period), resulting from business acquisitions or combination. | |||||||||||||
** Including the net gains/losses on deemed disposals/disposals of investments, fair value changes arising from investments, impairment provision of investments and other expenses in relation to equity transactions of investments. | |||||||||||||
*** Represents the income tax effects of Non-IFRS adjustments. |
TENCENT MUSIC ENTERTAINMENT GROUP | ||||||
CONSOLIDATED BALANCE SHEETS | ||||||
As at December 31, 2024 | As at June 30, 2025 | |||||
RMB | RMB | US$ | ||||
Audited | Unaudited | Unaudited | ||||
(in millions) | ||||||
ASSETS | ||||||
Non-current assets | ||||||
Property, plant and equipment | 803 | 963 | 134 | |||
Land use rights | 2,364 | 2,327 | 325 | |||
Right-of-use assets | 295 | 310 | 43 | |||
Intangible assets | 2,049 | 3,047 | 425 | |||
Goodwill | 19,647 | 20,465 | 2,857 | |||
Investments accounted for using equity method | 4,669 | 1,859 | 260 | |||
Financial assets at fair value through other comprehensive income | 14,498 | 34,254 | 4,782 | |||
Other investments | 309 | 308 | 43 | |||
Prepayments, deposits and other assets | 425 | 263 | 37 | |||
Deferred tax assets | 422 | 431 | 60 | |||
Term deposits | 10,419 | 12,769 | 1,782 | |||
55,900 | 76,996 | 10,748 | ||||
Current assets | ||||||
Inventories | 23 | 32 | 4 | |||
Accounts receivable | 3,508 | 3,729 | 521 | |||
Prepayments, deposits and other assets | 3,793 | 4,900 | 684 | |||
Other investments | 46 | 50 | 7 | |||
Term deposits | 13,999 | 11,147 | 1,556 | |||
Restricted Cash | 11 | 20 | 3 | |||
Cash and cash equivalents | 13,164 | 10,999 | 1,535 | |||
34,544 | 30,877 | 4,310 | ||||
Total assets | 90,444 | 107,873 | 15,058 | |||
EQUITY | ||||||
Equity attributable to equity holders of theCompany | ||||||
Share capital | 2 | 2 | 0 | |||
Additional paid-in capital | 29,035 | 29,463 | 4,113 | |||
Shares held for share award schemes | (520) | (545) | (76) | |||
Treasury shares | (550) | (939) | (131) | |||
Other reserves | 19,845 | 30,861 | 4,308 | |||
Retained earnings | 20,051 | 25,036 | 3,495 | |||
67,863 | 83,878 | 11,709 | ||||
Non-controlling interests | 1,863 | 2,497 | 349 | |||
Total equity | 69,726 | 86,375 | 12,057 | |||
LIABILITIES | ||||||
Non-current liabilities | ||||||
Notes payables | 3,572 | 3,559 | 497 | |||
Other payables and other liabilities | - | 345 | 48 | |||
Deferred tax liabilities | 198 | 616 | 86 | |||
Lease liabilities | 219 | 232 | 32 | |||
Deferred revenue | 179 | 250 | 35 | |||
4,168 | 5,002 | 698 | ||||
Current liabilities | ||||||
Accounts payable | 6,879 | 6,956 | 971 | |||
Other payables and other liabilities | 3,381 | 3,010 | 420 | |||
Notes payables | 2,154 | 2,147 | 300 | |||
Current tax liabilities | 934 | 851 | 119 | |||
Lease liabilities | 106 | 104 | 15 | |||
Deferred revenue | 3,096 | 3,428 | 479 | |||
16,550 | 16,496 | 2,303 | ||||
Total liabilities | 20,718 | 21,498 | 3,001 | |||
Total equity and liabilities | 90,444 | 107,873 | 15,058 |
TENCENT MUSIC ENTERTAINMENT GROUP | ||||||||||||
CONDENSED CONSOLIDATED STATEMENTS OF CASH FLOWS | ||||||||||||
Three Months Ended June 30 | Six Months Ended June 30 | |||||||||||
2024 | 2025 | 2024 | 2025 | |||||||||
RMB | RMB | US$ | RMB | RMB | US$ | |||||||
Unaudited | Unaudited | Unaudited | Unaudited | Unaudited | Unaudited | |||||||
(in millions) | (in millions) | |||||||||||
Net cash provided by operating activities | 2,944 | 1,638 | 229 | 5,630 | 4,157 | 580 | ||||||
Net cash provided by/(used in) investing activities | 693 | (633) | (88) | (4,805) | (3,854) | (538) | ||||||
Net cash used in financing activities | (1,611) | (2,056) | (287) | (2,133) | (2,512) | (351) | ||||||
Net increase/(decrease) in cash and cash equivalents | 2,026 | (1,051) | (147) | (1,308) | (2,209) | (308) | ||||||
Cash and cash equivalents at beginning of the period | 10,218 | 12,022 | 1,678 | 13,567 | 13,164 | 1,838 | ||||||
Exchange differences on cash and cash equivalents | 7 | 28 | 4 | (8) | 44 | 6 | ||||||
Cash and cash equivalents at end of the period | 12,251 | 10,999 | 1,535 | 12,251 | 10,999 | 1,535 |
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SOURCE Tencent Music Entertainment Group